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How ‘Fantastic Beasts: The Crimes of Grindelwald’ made an even more magical Paris

“The approach that we’ve used on the Potter films and these films is to make every place look real and then use magic to come out of that seeming reality,” says Craig, who has been the visual mastermind behind every Rowling film adaptation, earning Oscar nominations on four of them, along with one for the first “Fantastic Beasts.” “That was our aim: to make Paris look, at first glance, completely real. The magic is largely hidden and appears when it needs to.”